Showing posts with label Illinois. Show all posts
Showing posts with label Illinois. Show all posts

Tuesday, June 30, 2015

My visit to the real world 6-30-15


After months of little more in life than writing and book marketing, I emerged today to mow the lawn, buy new bookshelves, and do a few mundane tasks that needed doing.

Elizabeth Aisling Flygare was nice enough to buy me dinner and introduce me to mocha shakes at Arby’s. We looked for bookcases at Furniture Row, but they were oversized or priced far beyond my meagre budget. We did find a five shelf bookcase at Target for only $26.99 that I’ll need to assemble myself. I bought that, plus a ton of cat food. I also bought a container of Liquid Plumber drain restorer for my kitchen sink. The drain opener set off an alarm at checkout causing the clerk to need to scan my driver’s license. It seems that drain opener is now treated as a controlled substance, not unlike pseudoephedrine. Misguided youths are using liquid drain cleaner to get high. Stores are required by law to keep a copy of my driver’s license for 2 years each time I purchase pseudoephedrine allergy medications or liquid drain opener. If I try to buy more than the normal amount in a 2 year period, I will be declared a potential drug dealer and investigated.

And then, when I bought a Fiskars hardened steel saw that I intended to use to trim unwanted elm trees sprouting in my yard, the alarm sounded again. This time I already knew why. It’s the kind of bone saw serial killers in my Instruments of Death novels use to dismember human bodies. Heh heh. Honest, officer. I was only planning to use that saw on trees. Heh heh.

The killer of the evening, though, was a visit to the local Barnes and Noble store at Cherry Vale Mall where the fiction section was being reduced to make room for displays of toys, graphic novels, and games. None of my novels were displayed on store shelves. The customer service desk said they would be happy to order single copies to send directly to my home, but they did not stock my titles. My books were listed in their online catalog, but the titles were not part of the local store’s inventory. Neither were Andrew Vachss’ novels, nor Joe Lansdale’s, nor Alaya Dawn Johnson’s. They did carry Jonathan Maberry’s Joe Leger series and I found all of James Patterson, Stephen King, Dean Koontz, and Jo Nesbo.

Elizabeth asked me on the way home if I were depressed because today was the official release day for Darkness and no store had it available. It is still on pre-order at Amazon and B&N.com. I wasn’t depressed. But I was disappointed.

So now I am ensconced back at my keyboard after a brief visit to the real world. I think I will hide here for awhile until it’s safe to venture out again.

Maybe by then my titles will be in the stores where customers’ drivers licenses will be scanned and saved for two years because my books are considered dangerous when consumed in quantity.

Tuesday, June 9, 2015

What I Learned at the 2015 Nebua Awards


What I learned from attending the 2015 Nebula Awards

I just returned from the Nebulas. Wonderful to see so many of my old friends at the Awards ceremonies and receptions. I had to take second looks to recognize some of those old friends because they have literally become old (not just older, but real-world old) and now have grey or white hair and, in some cases, extra pounds around the middle or walk with the help of a cane or walker. It’s the ancient story of Cane and Able made flesh: we seniors need canes in order to be able to walk. Some of my old friends recognized me, and some didn’t. Esther Friesner bumped into me in the SFWA hospitality suite and said, “I know you. Where do I know you from?”

After a voluntary absence from major science fiction and fantasy publications for more than twenty-five years (although I did remain an active SFWA member and attended the 2005 Nebulas), none of the younger puppies (no relation to the sad or rabid puppies) recognized my face, my name, or my writing. I wasn’t really surprised because something similar happened when I attended the Stokers in Atlanta and Odyssey Con and Wiscon in Madison, so I prepared in advance to make new friends by handing out printed business cards and free pens.

Once or twice I even actively engaged in lively conversations with new writers. I’m the shy guy who prefers to sit in the shadows and listen to conversations and observe human (and inhuman) interactions. Lively conversations are not my forte, except when penning written dialogue. I was born with a physical speech defect and I get tongue-tied easily. Few people know that about me. I had corrective surgery as an infant, and I endured remedial speech classes at Rolling Green Elementary School from second through sixth grades. My speech handicap is one of the reasons for my extraordinary shyness.

I learned, at a very early age, to write rather than speak. My comfort zone is sitting behind a typewriter keyboard (now a computer keyboard) to communicate. When I get tongue-tied or stutter, I can easily edit it out of written words.

I can, of course, edit real-world spoken conversations. I acquired the necessary skill sets while completing research for my master’s thesis and doctoral dissertations in Ed Psych. I usually refrain from toying with people’s memories because I don’t think it’s ethical without informed consent. That’s the type of thing villains in my novels do.

Some of you know I am an accomplished hypnotist and NLP practitioner. I was Board Certified by the National Guild of Hypnotists and I taught hypnotism to students in my own school at the enTrance Center and in college-level classes. I helped people recall past-life memories and reframe memories from their current lives. It is ethical to use my skills for therapeutic purposes. I have mixed feelings about using them in sales and marketing, although I am aware they can be highly effective.

Some of the writers I encountered at the Nebulas do use, whether consciously or subconsciously, the same skills for marketing themselves and their fiction. Blake Hausladen is an expert at marketing his books. Richard Thomas, besides being a fine writer, is personable and friendly and promotes other writers, thereby promoting himself in the process. Many of the up-and-coming writers are primarily auditory, and they have excellent story-telling skills because they can translate everything they hear directly into words. Since I am primarily auditory-digital, I translate into symbols before I can translate into spoken words or words on paper. I often get locked into left-brain activity for ninety to one-hundred and thirty minutes where I am lost in thought and can’t respond automatically. I know how to overcome that limitation, but I must consciously choose to do so. It takes extra effort on my part. I’m not always willing to expend the extra effort.

            But I did learn a lot from meeting and interacting with people at the Nebulas this year. I made new friends and renewed old acquaintances. I learned that name recognition and awards are even more important than most people believe.

            I also learned that writers are readers and they buy books. But writers, like fans, buy books only from names they know. There are far too many books available to waste time and money on books that aren’t guaranteed good reads.

            The value of awards—whether Nebulas, Stokers, Edgars, or Hugos—is they have been previously vetted by a large number of readers. Award winners are considered worth reading and knowing. I’m grateful I was able to rekindle (no pun intended, Amazon) relationships with former Nebula winners and get to know future award-winners. Thank you SFWA for the wonderful memories. It was worth every minute spent away from my keyboard.

 

 

Tuesday, May 5, 2015

Axes to Grind


Because I love to read widely in a variety of genres, I often find myself crossing genres in writing my own novels and short stories. Axes to Grind, the sixth novel in The Instruments of Death series from Crossroad Press, is both a police procedural and a supernatural suspense story. I didn’t intend it to be that way when I began writing the novel, but elements of the preternatural suddenly appeared. That’s the way the cookie sometimes crumbles.

            Axes to Grind introduces Merritt County Sheriff’s Deputy Dan Edmonds. Dan will appear in later novels of the series that tie together murders in northern Wisconsin with murders in Illinois, but this story belongs to Dan Edmonds and Sandy Beech and it can be read as a stand-alone novel. None of my usual suspects make guest appearances. You can probably guess that the instrument of death is an axe. Both the title and the cover give that away, but there are a few surprises along the way that readers won’t suspect.

            When I was researching northern Wisconsin for both Axes to Grind and Winds, my supernatural thriller series featuring completely different characters, I uncovered an unusual number of Bigfoot sightings within a three-county area of north-central Wisconsin. Of course, I had to include that fact in one of my novels. Axes to Grind seemed the perfect vehicle. Maybe someday I’ll write a novel about Bigfoot, but Axes to Grind is primarily about demons—personal demons and mythological demons. It’s also about trust and belief and searching for clues outside of one’s normal experience. There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy.

            The developing relationship between Dan and Sandy takes center stage in my drama. I like both of these characters a lot. There’s probably a little bit of me in Dan, and Sandy is the kind of girl I’ve always been attracted to. She’s open and honest and more than a little naïve. She’s the kind of girl who’s stronger than she looks because she has an inner strength that sustains her. Not all of my characters survive the slings and arrows of outrageous fortune that come their way, but I hope Sandy not only survives but thrives. She’s my kind of people.

            Axes to Grind is the sixth novel in the Instruments of Death series, and there are many more novels yet to come in the series. I have nineteen novels already written or planned. There may even be more.

            I love to read and write about forensic science. I also love to read a good mystery, whether I write it or somebody else writes it. My own expertise is in educational psychology and cognitive science, but I met more than a few pathologists when I worked at the American Society of Clinical Pathologists (ASCP) and I was allowed to play the fly on the wall as doctors talked about interesting cases. I try to combine what I personally know with what I’ve observed and overheard. I hope you enjoy these stories as much as I’ve enjoyed telling them. Stay safe, and don’t venture alone into the woods after dark. You never know who or what might be waiting for you.

Tuesday, March 17, 2015

Richard Thomas's Disintegration


I’m not sure whether Disintegration by Richard Thomas is brilliant or totally insane. I know that author, and he is brilliant. So I read the whole novel again and try to make up my mind. Now the story makes sense to me. There is a method to this madness. The novel is both brilliant and insane.

First read didn’t go well for me, so used to straight narrative and give and take dialogue from the usual word merchants am I that I couldn’t make hide nor hair of the skeleton in the closet of the protagonist’s mind. First-person stream-of-consciousness William Burroughs avant garde does not compute. What is real and what isn’t? Hard to tell.

And that’s the brilliance of this novel. You get drawn in so your own mind constantly questions what is real and what isn’t until, finally, you don’t care either way. The human mind is marvelously adaptive and mimicking, and you find yourself inside the narrator’s demented psyche and tattooed skin thinking just like him. After a while, the story seems vaguely familiar, and you realize it’s probably because the style and setting remind you of a combination of Nelson Algren’s novels and Wayne Allen Sallee’s award-winning “Take the A Train.” Maybe even a touch of Hemingway’s “The Killers.” Maybe it’s mainly because Disintegration takes place in Chicago and the streets and buses and trains have Chicago names. Or maybe it’s only because Chicago writers tend toward a dark way of thinking that’s broody and moody and self-destructive.

This quote from Richard Thomas’s novel rings true for me: “They say that your experiences in life, whether real or imagined, something you’ve seen in a dream or a movie—they all stay with you, they all become part of your past, with equal weight, your emotional baggage, the fabric you stitch together to weave the stained blanket of lies you call your life.”

Fair warning: Once you’ve read Disintegration, the stained blanket of your life won’t ever be the same. You’ll be haunted with horrible nightmares, doubts, delusions. It’s an experience you can’t forget, no matter how hard you try. It’ll be tattooed to your psyche forever.

Sunday, November 23, 2014

Setting for Abandoned


I live in the best of all possible worlds. I live in Rockford, Illinois.

Rockford is centrally-located in the north-central part of the nation, about equally-distant between metropolitan Chicago (home of John Wayne Gacy) and Madison (near the home of Ed Gein) in Wisconsin or Milwaukee (home of Jeffrey Dahmer). I’m six hours out of Indianapolis going southeast, or six hours out of Minneapolis heading northwest or six hours north of St. Louis. I can drive to New York in fourteen hours or Atlanta in fifteen hours. I’m a good day out of East Texas or Kansas City. I can drive to O’Hare International Airport in around an hour. It took me an hour or longer to get to O’Hare when I lived in downtown Chicago or in Oak Park. What difference does it make if I’m stuck in urban traffic or cruising past mile after mile of cornfields?

My daughter Tammy, who chooses to live in mountainous states like Colorado or Washington or Oregon, calls me a flatlander. To her, endless miles of Illinois cornfields is “bore-ring!” But I write in my mind while I’m driving, and it’s easier for me to write and drive while racing past boring cornfields than fighting construction and congestion on the Eisenhower or Kennedy expressways.

Although I was born and raised in Rockford, Illinois, I moved around a lot to attend various universities and when I worked for the U. S. Army. I spent seven years going TDY (temporary duty) to Timbuktu, or packing up the entire household (including four-year-old Tammy) for a PCS (permanent change of station). I hadn’t intended to return to Rockford after seeing Paris and living in Chicago, Atlanta, and D. C. But, as John Lennon said, “Life is what happens while you’re busy making other plans.”

The reason I mention Rockford is:  much of the action of my forthcoming novel Abandoned takes place in Rockford, Illinois. My other novels are set elsewhere: Arizona, Texas, New York, Virginia, Thailand, Viet Nam, Cambodia, Wisconsin, Tibet, Sweden, Abu Dhabi, even other worlds that may or may not exist. Abandoned is the first novel that mentions Rockford by name. Although the setting is an actual place, the characters are all figments of my imagination.

I mention the Army, too, because I was associated with the military in active, reserve, or civilian status for more than twenty years (not counting five years of junior and senior ROTC). Several of Abandon’s main characters are active or former military.

So let me introduce you to Rockford, Illinois. Rockford was built in the early nineteenth century on both the east and west banks of the beautiful (we used to call it the Mighty Muddy Rock, not because it was a mighty river but because it was mighty muddy) Rock River, and Rockford was the stagecoach stop at the ford of the Rock River midway between hog-butchering Chicago and the lucrative lead mines of Galena. Rockford’s about a hundred miles from Lake Michigan and ninety from the Mississippi River. When my paternal grandparents came to Rockford from Sweden in the last half of the nineteenth century, there was already a railroad from Chicago to Rockford’s Seventh Street train depot. Seventh Street was a Swedish village in America, and the old Swedes called it “Sjundegarten” which was hard for Americans to pronounce because the Sju sounded like wind “whoooondegarten” whistling through the fjords. Some folks even called Rockford “Swede Town” and my father, who was born and went to school in Rockford, spoke Swedish instead of English. Dad dropped out of school in the fourth grade because Turner School stopped teaching most classes in Swedish and everyone had to learn to speak and write in English. Dad found work with the Army at Camp Grant on Rockford’s south side during WWI, and he worked there driving a horse and wagon between the camp and cemeteries during the swine flu epidemic that killed so many in 1918.

Rockford was then, and still is, a divided city. The west side of the Rock River was populated with Italian immigrants on the south side and Irish, English, American immigrants on the north. Swedes occupied most of the east side, along with a few Jews and Germans. I had to learn to speak multiple languages to communicate with friends after school. The Tondis and D’Agostinos spoke Italian, the Singers spoke Yiddish, the Harts spoke German, the Witkowskis Polish. My father, neighbors, aunt, and grandparents spoke Swedish. Rockford had a great multi-cultural mix, and I learned to appreciate differences as well as similarities among residents.

My mother’s side of the family lived on the northwest side of the river. The Crosbys were English, Irish, and German. My cousin Pam Crosby Yager, a Mormon, wrote and published a history of the Crosbys to get her degree from Brigham Young University.

My grandmother Crosby was Roman Catholic, my mother was Methodist, and my father was Swedish Covenant. Pam’s family was Mormon. My uncle Bill was Baptist. Monroe Singer was Jewish. I grew up with all of those religious influences.

This, too, I mention only because it has bearing to the novel Abandoned.

Rockford had a wonderful public library with branches in each of the ethnic neighborhoods. The main library itself, a gift of Andrew Carnegie, sat on the west bank of the river, between two bridges fording the Rock, with doors symbolically facing both east and west. The Montague branch was (and still is) on the southwest side of the river and served both Italian and Spanish speaking residents. The West branch served the English and German and Irish of the northwest side. The Southeast branch served the Swedes. The Highland branch served the Jews and Swedes and Germans and peoples living on the northeast side. There was even a bookmobile that went to each public elementary school every two weeks. The bookmobile is no more, unfortunately, and the main library is about to be demolished. But the legacy of the library endures, and there are still branch libraries serving each part of the city. If there was one thing that unified the city, it was the public library.

The other thing that united the city was factory work. Skilled Swedish, Italian, German, and American craftsmen built multi-national industries with headquarters and production facilities in Rockford. Every family in town either worked for the factories or for one of the local businesses that serviced the factories and their workers. Camp Grant was a major military installation that housed and trained thousands of troops during both World Wars. Rockford had a great economy until Camp Grant closed and the old visionary capitalists died off. Because Rockford had no major universities (why bother when Chicago was so close and the University of Wisconsin and the University of Illinois were handy), the heirs to Rockford’s fortunes moved elsewhere for higher education and few returned. They sold their inherited stock to global conglomerates like Textron and United Technologies who moved the headquarters and manufacturing out of Rockford and left the city with the highest unemployment rate in the entire country. All that remained were a few aerospace technology companies that found a bonanza in currently unemployed highly-skilled engineers and machinists that would work cheap.

To Be Continued