Introduction to The Devil Made Me Do It
As I reread the twenty early tales that comprise The Devil Made Me Do It for the digital
edition soon to be republished by Macabre Ink Digital and Crossroad Press, I
was amazed how well some the stories still worked while others seemed time-worn
and too sloppy to be called stories. Few have real beginnings, middles, and satisfying
endings. I was still learning my craft when those tales were written, having recently
emerged from a literary tradition heavily influenced by Hemingway, Faulkner,
and the beat writers of the 1950s and 1960s. Several of the tales were
experiments in subtlety where less was always more. The writer’s job was only to
set the stage, establish the mood, so that horrors were implied rather than
described. The reader was left to fill in from his or her own imagination what
would happen next or what might already have happened.
Two
of my favorite tales are included in this early collection: “Change of Mind”
and “The Last Ding Dong of Doom.”
Some of
the tales display my debt to Howard Phillips Lovecraft, especially “The
Outsider” and “The Rats in the Walls”. “Soon” and “Till the End of Time” had
been previously published in Randy Everts’ The
Arkham Sampler, and show my cross-over from science fiction writer to
horror writer. When The Devil Made Me Do
It first appeared in 1985 under the Miskatonic University imprint of The Strange
Company, I was definitely a Lovecraftian imitator. Devil was released in a limited edition at Madcon, a semi-annual Lovecraft
convention in Madison, Wisconsin. I was heavily into Lovecraft during the early
eighties, and it shows in at least half of the twenty stories contained in The Devil Made Me Do It.
My
previously published novels had ranged from westerns, thrillers, contemporary
romances, and erotica written under pseudonyms. The Devil Made Me Do It was the first book with my real name on
the cover. I had also written half-a-hundred science fiction stories, most of
which never saw print. The few that did were more horror than hard sf, and they
didn’t fit into Asimov’s or Analog.
Even “The
Last Ding Dong of Doom” had appeared in The
Horror Show under a Dale Anderson byline. It was only after Devil that I decided to submit to horror
markets and to use my real name on stories and novels. Claw Hammer came out in 1989 under the Paul Dale Anderson name,
followed by Daddy’s Home. I began to
use my own name on book reviews, too, although I did use Irwin Chapman on most
of the reviews I wrote for 2AM. Paul
Dale Anderson fiction appeared in The
Horror Show, Arkham Sampler, Deathrealm, New Blood, Dark Regions, SPWAO
Showcase, Etchings and Odysseys, and in anthologies like Hotter Blood, Masques III, Seeds of Fear,
and Shock Rock.
Then--when
death and life-threatening illnesses claimed so many of my loved ones and
associates, including my agent Barbara Puechner--Paul Dale Anderson disappeared
as a fiction writer and Paul Dale Anderson, the board-certified hypnotist and
scholar, appeared. I earned several masters degrees and worked diligently on a
doctorate, completing all but the dissertation. I wrote primarily non-fiction
for twenty years. And, for twenty years, I fought a valiant battle against
death and disease.
Like
all wars, you win a few battles and you lose a few. Without a doubt, I helped
some people live longer and more productive lives.
That
war ended in 2012 when my wife Gretta died suddenly of a massive heart attack.
Paul D. Anderson, the hypnotist, died that same day.
A few
months later, Paul Dale Anderson, the horror writer, was literally reincarnated.
Like Phoenix rising from the ashes, I was reborn with new tales to tell.
I’m
happy that The Devil Made Me Do It is
now reborn as well. Soon Claw Hammer
and Daddy’s Home will be, too.
Yes,
Virginia, there is life after death. Abandoned
is a completely new novel unlike anything I have done before, and Deviants is mind-bending. Spilled Milk is just plain nasty. I love
Pickaxe, Icepick, and Meat Cleaver. There are twenty new Paul
Dale Anderson novels completed, and more on the way. I have a new few short
stories ready to go, too.
But The Devil Made Me Do It started it all.
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