The Halloween Children by Brian James Freeman and Norman Prentiss (Random House Hydra, June 2017) works by building suspense, by gradually increasing the sense of dread. Readers know from the very first page that something went terribly wrong Halloween night and lots of children either killed or were killed. Dread builds as you discover how really weird and totally dis-functional everyone in the entire Stillbrook apartment complex — especially the entire Naylor family — has become. You know all hell is about to break loose, and you can’t wait for it to happen. But, like waiting for Halloween or for Christmas, wait you must.
Good horror builds expectations. There are a lot of little boos that set the scene, but you know right from the get-go that the big fright comes on Halloween. Everything else is a warm-up or a red-herring.
“I think the environment in our apartment complex had everything to do with what happened,” Harris Naylor admits. “Not just our management policies and our neighbors, but maybe even the issues that had been swimming within our own family.”
Is the apartment complex haunted? Just when you think it is, a logical explanation pops up. But then something else weird happens, and the suspense builds until you’re sure the place is haunted by evil spirits.
Or maybe by crazy people: not just the children but adults, too.
Harris again hits the nail on the head: “If a place is going to be haunted, it’s more likely to be an apartment building, since there’s a high turnaround in tenants and folks from a variety of backgrounds will bring different quirks and neuroses and illnesses with them. Going with the odds, an apartment building simply has more opportunities for crazy, haunted people to live there.”
Or die there.
Heh heh.
So who are the Halloween Children really? Mattie and Amber? Ghosts? Evil spirits?
Read the novel and see with your own eyes.
Heh heh.
Showing posts with label book reviews. Show all posts
Showing posts with label book reviews. Show all posts
Thursday, May 18, 2017
Monday, May 15, 2017
Great Characters, Thrilling Read
The Final Hour by Tom Wood (Berkley Books, August 2017) is the seventh novel in the author’s “Victor” series. Victor is a freelance paid assassin who claims he doesn’t care bout anything but the job. That’s a lie, of course. But he’s so religious about protecting his privacy, he refuses to reveal any of his personal weaknesses to his victims. Or even to his friends and allies.
And certainly never to his enemies, of whom there are many. This is brought home to the reader in book 6, The Darkest Day, when Victor meets a female assassin who’s been hired to kill him.
Book seven begins with Victor confessing to a priest that he has killed many men. Plus he may have killed a female assassin, but he gave her an unprecedented opportunity to save herself if she’s strong enough. He returns later and kills the priest. Not only had British Intelligence put out a contract on him, but he had heard Victor’s confession and therefore had to die.
Imagine Tom Wood pitching the Victor novels to an agent or publisher with this elevator speech: I can’t tell you all about my protagonist because then I would have to kill you. Better you learn about him a little at a time as he reveals himself through story and dialog.
Spoiler alert: the female assassin does survive, despite incredible odds, and she becomes stronger. She and Victor become allies of sorts. More than that I can’t tell you without fear Victor will have to kill me.
I can tell you The Final Hour is marvelous. There are more complications than anyone has the right to survive, but Victor and Raven are both professionals and they know how to improvise.
This novel was so well written that I had to buy the previous six novels in the series. I was hooked on the best new series character since Jack Reacher, and I think you will be, too.
And certainly never to his enemies, of whom there are many. This is brought home to the reader in book 6, The Darkest Day, when Victor meets a female assassin who’s been hired to kill him.
Book seven begins with Victor confessing to a priest that he has killed many men. Plus he may have killed a female assassin, but he gave her an unprecedented opportunity to save herself if she’s strong enough. He returns later and kills the priest. Not only had British Intelligence put out a contract on him, but he had heard Victor’s confession and therefore had to die.
Imagine Tom Wood pitching the Victor novels to an agent or publisher with this elevator speech: I can’t tell you all about my protagonist because then I would have to kill you. Better you learn about him a little at a time as he reveals himself through story and dialog.
Spoiler alert: the female assassin does survive, despite incredible odds, and she becomes stronger. She and Victor become allies of sorts. More than that I can’t tell you without fear Victor will have to kill me.
I can tell you The Final Hour is marvelous. There are more complications than anyone has the right to survive, but Victor and Raven are both professionals and they know how to improvise.
This novel was so well written that I had to buy the previous six novels in the series. I was hooked on the best new series character since Jack Reacher, and I think you will be, too.
Tuesday, February 7, 2017
The Girl Who Lived reviewed by Kirkus Reviews
THE GIRL WHO LIVED
Megan's Story
Paul Dale Anderson
2AM Publications (306 pp.)
$14.95 paperback, $3.95 e-book
ISBN: 978-0-937491-19-5; January 5, 2017
BOOK REVIEW
After spending years in a mental institution, a woman has revenge on her mind in Anderson’s (Claw Hammer, 2016,
etc.) dark thriller.
Megan Williams was institutionalized five years ago after she killed one man and castrated three others who raped and
disfigured her. She earns her freedom by telling her psychiatrist that she knows right from wrong—just what the doctor
wants to hear. However, she still plans to murder the survivors of her last attempt at vengeance, which occurred after
she’d spent one year in a coma and another undergoing reconstructive surgery and physical therapy. Shortly after her
return to Twin Rivers, Illinois, cops find the body of a castrated man and suspect Megan of the crime. Newspaperman
Tim Goodman, however, connects the new murder to five of the dead man’s associates, who are all inexplicably missing.
With police watching her, Megan puts her retribution on the back burner. Meanwhile, she’s leery of her older sister
Susan’s new beau, Harry Berg. The mob-linked drug dealer hopes to launder money in Twin Rivers, and he’s also in the
process of meting out payback to those who’ve wronged him. Soon, the dead bodies are stacking up, and Megan is in
danger of arrest. Anderson rivetingly presents his protagonist from a first-person perspective, which clearly shows her
instability. As she reveals more details of her attack, it seems as if she’s continually reliving it, which gives the book’s
title a sad twist. As a result, readers will initially have sympathy for Megan, but it may subside as the story progresses; at
one point, Megan says that she tortured multiple men, all strangers who picked her up at bars, as practice for her
revenge; after butchering them, she says, she “showed them mercy and slit their throats to make certain they died.” Still,
the story’s intensity rises with each new murder victim, as each puts Megan or someone she knows in potential danger.
Anderson, meanwhile, does add glimmers of hope, as when he shows that Megan regrets at least one of her killings.
A relentlessly gloomy but memorable tale that explores questions of morality.
Thursday, January 19, 2017
Cataclysm by Tim Washburn (Pinnacle Books, November 2016) is the real deal. You know all hell is about to break loose in Yellowstone National Park when underground magma begins to shift in the caldera, causing earthquakes. Yellowstone is home to one of the world’s largest underground volcanoes. As the caldera rises, hydrothermal vents erupt as a precursor to a cataclysmic volcanic eruption that could threaten all life on earth.
What would you do if your own family were staying at the Old Faithful Inn in Yellowstone? Is there any way you can get them, and the tens of thousands of others in or near the park, out of harm’s way before the volcano erupts? Doctor Tucker Mayfield is the staff geologist monitoring on-site activity at Yellowstone. His entire family — brother Matt, sister-in-law Jessica, and a young niece and nephew — are vacationing in Yellowstone when the caldera threatens to erupt. The park is filled with families, and Tucker realizes evacuating them all before the volcano blows will be impossible.
First come the earthquakes, minor tremors that escalate into full-scale quakes. Then the geysers erratically spew boiling water high into the air, scalding hundreds of people and inundating acres of land. Volcanic ash from newly-opened fissures clogs automobile engines and brings down aircraft. If the volcano blows its lid, the entire Midwest and west coast of America could be buried beneath billions of tons of hot ash that will make the soil sterile for generations to come.
Without food, water, electricity, or transportation, how will the country survive?
President Drummond, the first female POTUS, declares a national emergency too late to save millions of lives. None of her learned advisers knew when or even if the volcano would erupt after being dormant for 640,000 years.
Author Washburn adds sexual tension to the mix as Rachel and April vie for Tucker’s attention. I wanted to shake or strangle several of the characters for being so selfish or dense that they put loved ones at risk. When pyroclastic flows containing boiling lava and hot acidic ash incinerate thousands of people, I wanted to shout “I told you so” to those who got their comeuppance.
But most of the dead are ordinary people who simply happen to be in the wrong place at the wrong time. The true horror is that this could actually happen to you or me tomorrow, and there’s nothing we can do to prevent it. The only thing we can do is be aware it could possibly happen and be prepared to run for our lives if it does.
Great story, competently told, with believable characters. Highly recommended.
Monday, January 2, 2017
Gunmetal Gray by Mark Greaney is Lots of Fun
Gunmetal Gray (a Gray Man Mystery-Thriller by Mark Greaney, Berkley, February 2017) returns Courtland Gentry to the side of the CIA instead of battling the agency to survive. But nothing is ever as it seems in a Gray Man novel, and Court is once again being played even as he plays others. At stake is the Chinese military’s cyberwarfare expert Fan Jiang, whose hacking knowledge the US wants. Unfortunately, so does the People’s Liberation Army, the Russian SVR, and members of the Chinese, Vietnamese, and Thai crime syndicates.
Court arrives in Hong Kong, ostensibly to find his old friend Sir Donald Fitzroy. That’s his cover. Fitzroy — held prisoner by Colonel Dai, the PRC officer tracking Fan Jiang — convinces Dai that Court will help Dai find Jiang if Dai will promise to free Fitzroy. Zoya “Koshka” Zakharova — a Russian Zaslon spy and trained assassin, code named “Sirena”, who is a language expert and good at disguises — may prove herself Court’s equal. Zoya is one step ahead of Court most of the way. She very early identifies Court as a CIA operative by the questions he asks, but she is unable to remember what his face looks like. She wonders, “Is he that good?”
Yes, he is. Court is called “The Gray Man” because he’s trained to blend into his surroundings so well that no one notices him unless he wants them to notice him.
Besides the Gray Man series, Mark Greaney writes the latest Tom Clancy novels. Rumor has it that Greaney once worked for clandestine US intelligence agencies, and the author’s knowledge of tradecraft is evident in all his novels.
This is an action thriller from the word “go.” The fast-paced action is unrelenting as Court takes on fifty triad strongmen, races through Saigon on a motor bike, slogs through rice paddies and jungles, and escapes from blood-thirsty river pirates. Court is always outnumbered, outgunned, and hip-deep in alligators, but he escapes every in extremis situation by the skin of his teeth. He may be battered and bruised, but he’s never down and out. He leaves behind more dead bodies than an atomic bomb blast.
A Gray Man novel is always lots of fun.
Monday, November 21, 2016
A Perfect Model for Crime Writers
Everything You Want Me to Be by Mindy Mejia (Emily Bestler Books/Atria Books, January 2017) should be subtitled “The Curse of MacBeth.”
Wabash County Sheriff Del Goodman investigates the tragic murder of Hattie Hoffman in rural southern Minnesota. Hattie, the daughter of Del’s closest friend, wanted to be an actress and had starred in a high school production of MacBeth the night she was murdered. When Hattie’s mutilated body is discovered the day after the play opens at the high school, the town of Pine Valley—a small farming community where everyone knows everyone else—is mortified. Everyone is suspect and anyone could be the murderer. Who killed Hattie Hoffman and why? The whole town wants to know and so does the reader.
Told in flashbacks from multiple points of view, the answer unfolds over the course of Hattie’s senior year at Pine Valley High. Literature geeks will love the literary references to Jane Austen novels and Thomas Pynchon and Tim O’Brien from Hattie’s Advanced AP Senior English class, taught by Peter Lund. As we watch the forbidden relationship between Lund and Hattie develop, we begin to piece together possible scenarios for murder.
Mejia fleshes out her characters well, making each come alive. We become silent voyeurs peeking into the windows of tortured souls not so different from our own. Hattie and Del and Peter become us, and we become them.
This story is a cautionary tale of what might happen when, after acting parts to please others for most of one’s life, one decides to be true to one’s own self. Telling the truth can be liberating, yes; but it can also prove deadly. The truth isn’t always the best policy, nor does it always set you free.
This story is also an expertly-crafted whodunit, a mystery that grips the reader and won’t let go. Every crime writer should study this novel to see how a whodunit should be done.
Brilliantly plotted, perfectly executed, this novel rates 5 1/2 stars.
Saturday, November 5, 2016
The Dragon Devours
In Barry Eisler’s eye-opening novel Livia Lone (Thomas & Mercer, October 26, 2016), there are 3 kinds of people in the world: sheep, wolves, and sheepdogs. Livia Lone is a sheepdog. She protects the sheep from being devoured by hungry wolves.
But this sheepdog has a dragon hidden inside of her. When the sleeping dragon wakes, the dog displays its fangs.
Livia has been a victim, and now she has become a predator herself, preying on those who prey on helpless women and children. Labee, Livia’s real name, was sold into sexual slavery by her parents in Thailand, and then Labee and her sister Nason were shipped to the US by unscrupulous human traffickers. Labee and Nason are separated aboard ship, and Labee (Livia) swears to someday find Nason and rescue her.
Livia studies hard and grows up to be a black-belt martial artist and a Seattle police officer investigating sexual crimes. Most of the time, she helps people. But, sometimes, she helps victims, and herself, by killing men who take advantage of the weaker sex.
All the while, Livia Lone continues to search for her abducted sister.
This is a well-crafted psychological thriller filled with violence, sexual content, and lots of really bad people with only a few good ones to make a difference. Ripped from the reality of today’s headlines, Livia Lone is a masterful expose of the underground world decent people deny exists.
Eisler alternates chapters between then and now, relating Livia’s backstory while holding the reader in suspense over what will happen next. Set in the hill country of Thailand, Bangkok, Seattle, and Llewellyn, Idaho, this gritty tale is an emotional roller coaster as well as an exciting thrill ride.
Highly recommended for adults who can handle terror, betrayal, and exploitation of children graphically portrayed.
Tuesday, June 7, 2016
All the Missing Girls by Megan Miranda
All the Missing Girls by Megan Miranda (Simon and Schuster, June 2016) is an intriguing mystery filled with psychological insights and captivatingly complicated characters. Nicolette Farrell thought she escaped Cooley Ridge, North Carolina, when she was eighteen, but her father and brother still live there so she has to return to help brother Daniel sell their father’s house. Patrick Farrell now resides in a nursing home because his memory comes and goes unexpectedly. Sometimes he recognizes Nic as his daughter. Sometimes he doesn’t. He lives in a world where time isn’t real and the people he loves are only pictures of the past.
Time plays a big part in this novel where the past still haunts the present. Author Miranda expertly manipulates past, present, and future until readers question what is real and what isn’t, makes readers wonder who the real monsters are, and keeps one reading until all of the loose ends are neatly tied up and truth is revealed. Tic toc, Nic. It’s truth or dare time.
This novel is full of insights into relationships. Everyone, including Nic, has secrets they try to keep hidden from outsiders, from friends and family, and even from themselves. Nic eventually comes face to face with all the skeletons in their closets, the monsters that hide in the woods behind her father’s house.
Everything changed ten years ago when Corinne Prescott, Nic’s best friend, disappeared. Now another girl is missing, and Nic and her family and friends are prime suspects. Were both girls murdered? By whom? This is, after all, a whodunit.
Tyler, Nic’s former boyfriend, could have done it. So could Jackson, Corinne’s former boyfriend. So could Daniel, Nic’s brother. So could Nic’s demented father. So could Bailey, friends with Nic and Corinne, whom Corinne had bullied. Nobody is above suspicion.
They say you can’t go home again. They say you can’t return to the past. Author Miranda proves the naysayers wrong.
If you like first-person mysteries with complicated characters, you’ll love All the Missing Girls. Highly recommended.
Monday, April 25, 2016
Collecting the Dead by Spencer Kope
Collecting the Dead by Spencer Kope (St. Martin’s Press, June 28, 2016) is told in first person present tense, something incredibly difficult for any author to do well. Kope manages to pull it off because Kope’s style — riddled with understated humor like Joe R. Lansdale’s Hap and Leonard novels — humanizes characters with snappy dialogue.
Magnus “Steps” Craig, a “Tracker” for the FBI, is the viewpoint character. Unlike other search and rescue (SAR) trackers, Steps acquires the unique ability, after he nearly dies (or does die) in the woods at age eight, to see “shine.” Whether shine, manifested in various colors, is the residue of life-force aura left behind at a crime scene or a connection with the supernatural is left to the reader to decide. Steps has to fake doing a step by step search for clues to appear legitimate. Only Steps, his FBI partner Jimmy Donovan, and the FBI director know the truth. Should Steps tell Heather, his girlfriend and a crime reporter, his secret? Can he trust a reporter not to reveal the secret to the world?
Steps identifies the presence of a serial killer who abducts young women in Oregon and Washington State by his magenta and rust shine and by the sad face icon the killer draws near each victim. Mr. Sad Face, aka Mr. Magenta and Rust, leaves behind his invisible-to-all-but-Steps shine on everything he touches, including vehicles and houses and people. When Steps, Jimmy, and local Sheriff Walt Gant get too close, the killer’s shine appears at their homes and on their cars. Now the hunters have become the hunted.
Rich in characterization and dialogue, Collecting the Dead moves along at a break-neck pace. Steps’ self-deprecating wise-cracking helps offset the tension as deadlines for saving victims approach. Step’s gift is also a curse. Each time Jimmy and Steps uncover another corpse, Steps has to remind himself that “We save the ones we can.” Nevertheless, the sad faces of the dead haunt Steps’ life as much as his dreams.
I recommend Collecting the Dead to anyone who enjoys devouring a first-person fast-paced thriller with snappy dialogue and a slice of gallows humor thrown in for good measure.
Monday, February 8, 2016
What Are Friends For?
My Best Friend’s Exorcism by Grady Hendrix (Quirk Books, May 2016) pits poor Abby Rivers against the devil in a fast-paced nostalgic thriller that seems slow-going at first but develops into something extraordinary. Abby and Gretchen become best friends in grade school, and their friendship endures into high school. They attend Albemarle Academy in Charleston, an expensive girl’s prep school. Gretchen and Margaret and Glee have wealthy parents, but Abby’s father lost his job and they relocate into the worst part of town. Still, Abby’s friendship with the other three continues as they explore womanhood and dropping acid and teenaged rebellions and skinny-dipping in the woods. It’s the acid and the skinny-dipping in the woods that does them in.
Everything unravels after that. Their neat little world falls apart when Gretchen gets sick, acts weird, and isn’t herself. Abby misinterprets everything. She makes herself the school pariah, alienates Gretchen’s parents and the school principal, and finally rejects Gretchen when Gretchen most needs Abby’s help.
Adults live in their own fantasy world. Adults are unable or unwilling to view the world the way a child or a teen does. Abby learns this lesson the hard way when every adult she turns to for help refuses to believe her. All adults, that is, except for musclebound Brother Lemon, the bodybuilder and wannabe exorcist.
This novel so perfectly captures teenage angst during the 1980s and 1990s that the characters come alive and the tension between them becomes palpable. The songs, the cars, the teen magazines, the descriptions of Charleston and its people and environs where Good Dog Max rummages in the trash all blend seamlessly together to invoke vivid images of a bygone time and place. Nothing lives forever but the memories of what once was. It’s the good memories that save us.
Thanks for the memories, Grady Hendrix. I’ll remember My Best Friend’s Exorcism forever.
Sunday, January 24, 2016
Just Fall is a deadly love story
Just Fall by Nina Sadowsky (Ballantine, March 2016) alternates between then and now. What a wonderful way to bring in backstory.
Now is in present tense, then told in past tense. Ellie married Rob. Rob was a cold-blooded killer. Ellie has to become a killer to save Rob’s life. Rob lies, and Rob has lied to Ellie in the past. Can Ellie trust this husband she barely knows?
Everyone has secrets, and everyone lies to hide those secrets. Sometimes they lie to others, including the ones they love. Sometimes they lie to themselves.
Amid this tale of secrets and lies, deliberate murders and accidental murders, is a love story. Love is sometimes tender, sometimes cruel, sometimes deadly.
Just Fall is a brilliant first novel by an accomplished screenwriter. The dialog is rich, the scenes vivid, the characters believable.
I couldn’t stop reading Just Fall even with other deadlines demanding my attention. That says a lot for a first novel. I can’t wait for a sequel, and I hope there is one.
Friday, January 8, 2016
Review of The Widow
The Widow by Fiona Barton (New American Library, March 2016) is the kind of mystery I love to read. Told from alternating points of view, the reader has to piece together what happened the way police and reporters do from eye-witness interviews. Kate Waters, a Hampshire print journalist, is the first to get an in-depth interview with Jean Taylor, the notorious widow of Glen Taylor, a man everyone calls a monster. Jean, hidden from the press inside her own home, allows no one to enter after Glen dies. But resourceful Kate gets her foot in the door and befriends Jean. Detective Inspector Bob Sparkes is the copper who relentlessly investigates the disappearance of two-year-old Bella Elliott, taken from her Southampton home nearly half-a-decade ago. Sparkes works night and day for years to find Bella’s abductor. Eventually, enough evidence points to Glen Taylor as the man who kidnapped Bella that Sparkes arrests Glen. That’s when the tale takes a few twists and becomes really interesting.
Barton is such a good writer that she seamlessly pulls off multiple points of view and shifts from present to past tense without taking readers out of trance. Ripe with details, rich in dialog, The Widow is a character-driven novel that is also a suspenseful mystery from beginning to end. Very highly recommended.
Tuesday, December 15, 2015
Joe McKinney is a great writer
Joe McKinney is a great horror writer and a really nice guy. I was out of the horror industry when Joe burst on the scene with Dead City a decade ago, and I’m only now catching up on all of the great stories and novels Joe’s written since. The Savage Dead (Pinnacle, September 2013) breaks from Joe’s usual “everyman” (average person caught up in extraordinary events) archetype and features three extraordinarily capable characters. Juan Perez and Tess Compton are Secret Service agents assigned to protect Senator Rachel Sutton, an anti-drug crusader in Congress. Pilar (aka Monica Rivas)works for Mexican drug cartel czar Ramon Medina. Juan and Tess foiled two earlier Medina plots to kill Senator Sutton, so Medina goes all out and unleashes a bio-engineered zombie plague aboard a cruise ship where Sutton and her husband, guarded only by Tess, try to save their failing marriage. Medina places Pilar on the same ship with instructions to disable the ship and ensure Sutton dies.
Juan, while investigating the Medina cartel,discovers the zombie plot. He pulls strings at the White House and gets priority to lead a Delta Force SOG rescue of Sutton and Tess. But Juan’s rescue teams are killed by the zombies, and Juan must face the zombie hoard and Pilar’s guns in a desperate race against time. Two F-15s are coming to blow the ship out of the water within minutes. The tension mounts, each chapter is literally a cliff-hanger, and the big-bang finish caps a well-told story that’s a thrill a minute.
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